1965 Martin D-18 What’s the Best Gear to Use for Flatpicking on Guitar?įlatpickers often play 14-fret dreadnoughts, and when combined with a stout pick and good picking technique these guitars offer the volume and tone needed to be heard alongside other bluegrass instruments. Finally, Example 4 demonstrates a hot lick incorporating the b3, b5, and b7 notes.
Example 3 is a fun ending lick Rice used, primarily in the major pentatonic scale with a slide from a Bb to an A. Consider the classic G run in Example 2, a quintessential bluegrass guitar lick that slides from a Bb to B, offering a bluesy effect. Most bluegrass songs are in a major key, but flatpickers will add in notes outside of the major scale-like the b3, b5, b6, and b7 (in the key of G major, Bb, Db, Eb, and F, respectively)-to spice things up. Do it for a few minutes whenever you practice, and over time alternate picking will become natural and fluid.Ī signature element of the flatpicking sound comes from mixing major and minor scale tones in a single phrase. Practice this exercise with a metronome at a moderate tempo, focusing on correct pick directions, perfect timing, solid tone, and a relaxed picking hand. See Example 1 for a fundamental exercise to develop your alternate picking technique. Modern flatpickers usually use alternate picking (alternating down- and upstrokes, where downstrokes always happen on the beat) for playing single-note lines. His impeccable timing, effortless articulation, and creative artistry set a high bar for any aspiring player, and his expansions into jazz and new acoustic music introduced flatpicking to genres outside bluegrass and folk.Īs for the right hand, the approach requires a high level of pick control and accuracy. It is clear he carefully considered each note and pick stroke.īeginning in the 1970s, Tony Rice redefined the sound of modern flatpicking. Soon after, Clarence White emerged on the scene with a style that was syncopated, bluesy, and thoughtfully arranged. Watson’s playing was clean, rhythmic, and driving, and while he was one of the earliest flatpickers, he remains one of the best.
While not the first to play fiddle tunes on a guitar, Doc Watson brought the approach to the forefront in the early 1960s with his humor, humility, and joyful musicianship. That said, three players in particular are most credited with developing and enhancing the style: Doc Watson, Clarence White, and Tony Rice. There are multitudes of stellar flatpickers, and creating a short list of the best ones is an impossible task. Doc Watson, Molly Tuttle, and Tony Rice The Icons of Flatpicking Guitar This is all to say that flatpicking is more of a stylistic approach to guitar playing rather than a single specific technique. Flatpicking can sometimes branch out beyond bluegrass however, straying too far from that sound moves it into some other style. The approach characteristically has a crisp and snappy sound achieved by combining quick picking, open chord voicings, melodic lines, and concise licks.įiddle tune melodies, lead guitar breaks, and crosspicking are all elements of the flatpicking style. Flatpicking refers to the acoustic guitar style, heard primarily in the bluegrass and folk idioms, of playing individual notes with a pick to form melodies, solos, and fills. Answer : I am proud to say that I assisted in devising an alarm system that works with body heat sensors.What is flatpicking on guitar? Despite the name, it’s more than simply playing with a pick.
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